A question for anyone and everyone who cares to answer: How would Levinson handle Hatsune Miku? Here's a link to an L.A. Times article, with a concert video.
Or other question: How should an ontology of music, that favours relations, handle representations of this sort? Is there really a problem to begin with?
My God, This has to one of the creepiest concerts I have seen...
ReplyDeleteI assume that the crowd digs the music, however, the reaction to the hologram is just eerie.
Chelsey: Other than being wonderful and very bad for the mail-order bride industry in Kazakhstan, what questions does this raise for the ontology of music?
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