Monday, November 29, 2010

Pop Star Puzzler

A question for anyone and everyone who cares to answer: How would Levinson handle Hatsune Miku? Here's a link to an L.A. Times article, with a concert video.

Or other question: How should an ontology of music, that favours relations, handle representations of this sort? Is there really a problem to begin with?


  1. My God, This has to one of the creepiest concerts I have seen...

    I assume that the crowd digs the music, however, the reaction to the hologram is just eerie.

  2. Chelsey: Other than being wonderful and very bad for the mail-order bride industry in Kazakhstan, what questions does this raise for the ontology of music?