How often has you art been taken out to the desert to be disposed of?
http://en.wikipedia.org/wiki/Dieter_Roth
Sunday, October 31, 2010
Friday, October 29, 2010
think twice before buying that horse manure diorama!
http://online.wsj.com/article/SB117927768289404269-email.html
Wednesday, October 27, 2010
What a difference a small change to a novel's L.S. structure can make.
For anyone who is looking for a 'could have been otherwise and now is' book of fiction, check this out:
Celebrity Chekov
Its not a mash up.
Celebrity Chekov
Its not a mash up.
some sites relevant to the restoration of artworks
http://en.wikipedia.org/wiki/Restoration_of_the_Sistine_Chapel_frescoes
http://en.wikipedia.org/wiki/The_Last_Supper_(Leonardo_da_Vinci)
http://www.popularmechanics.com/outdoors/extreme-jobs/art-detective-this-is-my-job
http://en.wikipedia.org/wiki/The_Last_Supper_(Leonardo_da_Vinci)
http://www.popularmechanics.com/outdoors/extreme-jobs/art-detective-this-is-my-job
Tuesday, October 26, 2010
Sunday, October 24, 2010
more on restoration
Look at this paper on the issue of preserving contemporary artworks:
The Artist's Sanction in Contemporary Art
Irvin, Sherri
Journal of Aesthetics and Art Criticism, vol. 63, no. 4, pp. 315-326, Fall 2005
e-available
The Artist's Sanction in Contemporary Art
Irvin, Sherri
Journal of Aesthetics and Art Criticism, vol. 63, no. 4, pp. 315-326, Fall 2005
e-available
Saturday, October 23, 2010
reading on restoration
I know that you're hard at work on your papers, but we might get started on the possible metaphysical implications or presuppositions related to the restoration of artworks. To begin, read:
Art and Its Preservation
Author(s): David Carrier
The Journal of Aesthetics and Art Criticism, Vol. 43 No. 3 (Spring, 1985), pp. 291-300
It's e-available.
We'll devote some of this week to more on of Rohrbaugh's argument against type-theory and to some of the problems facing musical perdurantism (4D-ism). This might be relevant:
Defending Musical Perdurantism
Caplan, Ben; Matheson, Carl
British Journal of Aesthetics, vol. 46, no. 1, pp. 59-69, January 2006
This is e-available too.
Art and Its Preservation
Author(s): David Carrier
The Journal of Aesthetics and Art Criticism, Vol. 43 No. 3 (Spring, 1985), pp. 291-300
It's e-available.
We'll devote some of this week to more on of Rohrbaugh's argument against type-theory and to some of the problems facing musical perdurantism (4D-ism). This might be relevant:
Defending Musical Perdurantism
Caplan, Ben; Matheson, Carl
British Journal of Aesthetics, vol. 46, no. 1, pp. 59-69, January 2006
This is e-available too.
Friday, October 15, 2010
Dodd reply - Rohrbaugh assigment
Hi gang.
Would I be correct in assuming that the Dodd reply that we are to evaluate is contained in: "Time, Continuants and the Ontology of Music" British Journal of Aesthetics Vol44(4) pp 342-360?
I am having no luck in accessing this via e journal...it's keeps sending me back to the library log in page.
Does anybody have a copy of the article that you could send me at graveld@mymts.net?
Thanks,
danny
Would I be correct in assuming that the Dodd reply that we are to evaluate is contained in: "Time, Continuants and the Ontology of Music" British Journal of Aesthetics Vol44(4) pp 342-360?
I am having no luck in accessing this via e journal...it's keeps sending me back to the library log in page.
Does anybody have a copy of the article that you could send me at graveld@mymts.net?
Thanks,
danny
Tuesday, October 12, 2010
first assignment
ONTOLOGY OF ART – FIRST ASSIGNMENT
Due October 26, 2010
Write three to five pages on the following question. Define all technical terms the first time you use them.
What is Rohrbaugh’s modal rigidity argument against the type-theory of musical works? Present and evaluate Dodd’s response.
Due October 26, 2010
Write three to five pages on the following question. Define all technical terms the first time you use them.
What is Rohrbaugh’s modal rigidity argument against the type-theory of musical works? Present and evaluate Dodd’s response.
Saturday, October 9, 2010
10x20x20
Cliff Eyland and I are giving a presentation on some conceptual text art that we've made at the next 10x20x20 event, which will be held at 8 pm next Friday, Oct. 15, at the Park Theatre (698 Osborne St.). 10x20x20 consists of ten presenters drawn from the art and design/architecture communities talking about twenty slides each for twenty seconds a slide. So, each person's presentation is only six minutes and forty seconds long. If you want to know more, here's a link.
http://10x20x20.blogspot.com/
http://10x20x20.blogspot.com/
Thursday, October 7, 2010
A couple of papers to read.
Take a look at these. They're both e-available from the library.
Title The Spoken Work
Author Alward, Peter
Source Journal of Aesthetics and Art Criticism, vol. 62, no. 4, pp. 331-337, Fall 2004
Title Types, Continuants, and the Ontology of Music
Author Dodd, Julian
Source British Journal of Aesthetics, vol. 44, no. 4, pp. 342-360, October 2004
Happy Turkey!
Title The Spoken Work
Author Alward, Peter
Source Journal of Aesthetics and Art Criticism, vol. 62, no. 4, pp. 331-337, Fall 2004
Title Types, Continuants, and the Ontology of Music
Author Dodd, Julian
Source British Journal of Aesthetics, vol. 44, no. 4, pp. 342-360, October 2004
Happy Turkey!
Saturday, October 2, 2010
Siging on
Good afternoon everybody.
I am just confirming that I successfully signed on.
Chat with you soon,
danny
I am just confirming that I successfully signed on.
Chat with you soon,
danny
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